Friday, 26 August 2011

Adventure #9: Dare to Dream

I found myself landed with a quite difficult project at work earlier this year. I'm working up a technology that no one else at our institute is using. It's made for a frustrating time, especially over the last two months - long hours, crazy time points and mediocre results. On top of this, my hubby and I are trying to finally finish renovating our back room (it's only been three years!!) I've found the clay table has really kept me grounded and stopped me pulling my hair out over work and all my other commitments! In the midst of all this, I received a message from Deb Crothers, who runs the Aussiepolyclayers forum. She was giving all the new people to the forum a gentle nudge to think about entering the 2011 Aussiepolyclayers forum competition.

When I read through the thread about the comp and saw all the effort Deb especially had put into organising this comp, I could not say no! I knew I had to put an entry in, even though there was only 5 weeks until the comp closed. The theme was "Dare to Dream" and my mind immediately started taking me to fantasy lands where mermaids swim free, tree-folk come out at night and heroes vanquish the dark forces of evil that threaten the land........I thought of enchanted forests and Alice in Wonderland.......and eventually my mind rested on what "Dare to Dream" really means to me. I remembered the first time I ever felt I could dream big and achieve anything I set my mind to. It was when I graduated from my honours degree. I remembered the card my aunty gave me that said "Shoot for the stars, if you fall short you may land on the moon." I always think of this quote when that nasty self-doubt starts creeping in, it takes me back to that feeling I had then - it gives me hope and confidence.

I wanted to make a piece of jewellery that would depict this quote and this idea. So, using stars and moons as the main theme, I started playing! I wanted to use blues/greens as the colour scheme to relate the calming qualities of the moon. I knew the boldness of the piece would come out in the design rather than the colours. My first attempts were pendants (Images 1 & 2).

Image 1: Stars and Moon Pendant

Image 2: Stars and Moon Pendant

Then I played with making 3-D stars and moons (Image 3). I love these star beads, I used the Starry Nights cane tutorial by Donna Kato. But my husband said they looked more like Morning Stars (Image 4)....which is entirely TRUE!!! Damn - back to the drawing board!

Image 3: 3-D stars and moon beads

Image 4: A morning star weapon - remarkable likeness to beads above - damn!


I then made a lovely skinner blend in soft pearly blues and greens and started playing with this, making different shaped beads (Image 5), mostly using Donna Kato's overlay bead method and cookie cutters.

Image 5: components made using blue/green skinner blends
Finally I composed my piece...my original idea was to wirework it randomly and make a star-spangled necklace but my beads leaned more towards a strung necklace style and when I was playing with the little star cutouts, I had a few of them strung together and thought they looked wicked and felt nice against your skin! And so I made heaps more of them and made them the backbone of the piece with the moon toggle clasp and focal bead as features. Here is the finished piece:





The competition ended on July 31st, with the judges deliberating and making their decision by the 14th August. And eventually, after what seemed like forever, we got to see all the entries! I was absolutely blown away by each and every entry into this competition. The theme was so broad and everyone had such different interpretations, that alone was amazing but the quality and time and thought put into these pieces were nothing short of phenomenal. Check them out here. And the first, second and third prize winning entries can be seen here. As well as the two encouragement award entries. I am extremely proud to have won one of these encouragement awards for my piece "Reach for the Stars"!

Applying myself to this competition definitely helped me through a stressful couple of months and at the end of it all, to win a prize was just amazing and has made me a very happy and 'encouraged' little clayer!!

Friday, 12 August 2011

Adventure #8: One ring to rule them all

I'm obsessed with making polymer clay rings at the moment. I bought a gorgeous millefiori ring in Venice. Wore it all the time. Loved it. Then I left it lying around the house somewhere as I do, and it got crushed...dead :(  I'm now trying to get the same comfortable ring design in a pc ring. My first attempt ended up like this:



 It was too long and only baked for 10 minutes, so it was quite brittle. The second attempt was better, but I rebaked it to add some strength and it ended up deforming quite a bit. I scolded my little fingers holding it together until it cooled but it ended up still larger than it had been and way too big for me, which is annoying because I really like it!!



For these first two rings, I was using a wooden dowel as a mold, but I didn't like the texture it left on the inside of the ring. I found a metal spoon in Kmart (<3 the kitchen section!) with the right sized handle and used that as a mold for these rings:





When the sneaky rubber hiding inside the handle melted, the spoon deformed and that's how I found it when I went to retrieve my rings. I managed to remove all the rubber and dissemble the spoon so I ended up with this awesome ring mold - exactly the right size! Now I'm in ring-making heaven...and I just can't seem to stop making them....someone STOP ME!!!!!!!!!!!!!!!

Friday, 22 July 2011

Adventure #7: Makin' Do

Have I mentioned that I love working with polymer clay?! Here's another reason: you don't need a truckload of fancy equipment to create really beautiful items, you can often 'make do' with tools you have lying around the house.

That doesn't necessarily mean you spend any less money on this craft. It just means those aisles and sections perhaps little heeded before clay took over your life, like kitchenware, are now a wonderland before your very eyes. They are filled with intrigue and the allure of possibility!

I have commandeered so many things from the kitchen or kitchen aisles since starting this little journey: bamboo and metal skewers, oven and cake trays, a collander, egg rings, cookie cutters, my pasta machine, oven timer, the corn flour (!), foil and baking paper

Image 1 below is makin' do at its best! The tutorial for these wicked looking beads is in Carol Blackburn's book Making Polymer Clay Beads. In the tutorial she uses a clay extruder tool to make the snakes. In the absence of an extruder, I just rolled the snakes of clay from a skinner blend by hand and applied these to the beads. Sure, it was probably a lot more fiddly than if I had an extruder and my snakes are nowhere near perfect, but I think it adds some charm! I made this bracelet for my awesome honours student, Marcela, for her 21st birthday.

Monday, 11 July 2011

Adventure #6: Totally Organic

Aussiepolyclayers is a great online forum which brings together polymer clay artists from around Australia and beyond. They bounce ideas and advice off each other and have a very friendly, helpful and active member base.
They often have member challenges and for the months of June and July, Zarina has hosted a challenge with the theme "Organics". What better way to find inspiration and motivation to create outside the box, than to apply a theme suggested by someone else and have a timeline to work to!
So my head has been full of organics all week and I've been busily drawing out design ideas and thinking of the many ways this theme could be interpreted. I thought it would be cool to make earrings in the shape of a tree, but who would really want to wear a couple of trees dangling from their ears?!

What about a pair of earrings with leaves seemingly falling down them - that could look pretty and very organic :) So I set about working out how to make a cool looking leaf out of clay. Molds? Cookie-cutters? Canes? While I was mulling over my options, my eyes fell upon a gorgeous L'Occitane soap my mum gave me when she visited in May (Image 1). I just love the shape of this soap and it smells mmm-mmm-yum! So I decided to make my leaves in the shape of this soap with little clay leaves falling down.

Image 1: L'Inspiration


To make the clay grainy, I added gold powder and worked it into the clay. I cut the leaf shape with a zigzag blade and impressed a veined craft leaf into the surface of each side of the leaf. I brushed the surface with more gold powder, then baked. I applied a finishing coat of Kato liquid clay. The small leaves were cut out manually from a thin sheet of clay and then impressed with the craft leaf as well. You can check out my challenge entry here (my forum name is Bestie) and make sure you have a stroll through the whole post to have a look at other clayers' amazing work and different interpretations on the theme 'Organics.'                                                     


While still thinking 'organically,' I started playing with form, making a squiggly slug of a bead (Image 2) and then, without knowing what I did, I made my favourite-thing-in-the-world-right-now (Image 3). It's a fake rock-like thing. I made it using the principles in Donna Kato's 'Translucent Overlay Beads' tutorial in her The Art of Polymer Clay Millefiori Techniques book. I used two translucent stripey canes and a translucent cane over a dark blue pearl base. For the backing, I used black clay mixed with pearl, which gave this really nice gunmetal colour. After baking, I hand sanded the 'rock' to a smooth finish.

Image 2: Sluggish bead
Image 3: My beautiful feathery-smooth rock
 

Now, why I love this thing so much, I'm not sure. I think it's the feel of it. Or the look of it. Or some combo of the two. Perhaps it's really just the whole vibe of the thing ;) but I love my rock and I don't care who knows it!

Adventure #5: The Necklace

Making a necklace for my gorgeous mum has sparked the crazy-obsessive-hobby-girl to come out in me! Ever since I began trying to craft a necklace from polymer clay beads, I've been a lil bit obsessed - reading forums, tutorials, buying books and spending way too much money on supplies and tools. I wanted it to be perfect, I wanted it to look pro and I wanted mum to feel proud to wear it around.

I finished that necklace for my mum a few weeks ago...but I realised I had yet to include a piccy of the thing that sparked all this craziness! So here it is:

Image 1: The Necklace!


Handmade polymer clay beads strung on tigertail with a sterling silver toggle clasp and Swarovski crystal round spacers. I think mum liked it :D

Saturday, 2 July 2011

Adventure #4: The Buzz

I'm talking this week about the buzz. You know the one, nothing can beat that feeling you get when you walk out of the house wearing one of your own creations. You exude confidence because you know you're unique, inwardly and outwardly.

This morning, I made these earrings using my own polymer clay beads (I call these my passionfruit beads, the pattern was a complete accident but I reckon it resembles passionfruit!), golden seed beads, some copper wire and gold-plated ear wires (Image 1). I wore them to work and I felt great all day...yep, I felt the buzz!

Image 1: Passionfruit copper wire earrings

Image 2: Kaleidoscope bead earrings
 I made this second pair (Image 2) earlier in the week. It feels pretty nice for a measly ol' scientist to be getting about in these totally unique accessories!

Saturday, 25 June 2011

Adventure #3: The Taming of the Tumbler

Well, finally this post sees the light of day! After three weeks at our house with no internet, we are reconnected at last. For my third adventure as a noob beader, I'd like to talk about my taming of the rotary tumbler. I bought my tumbler a little over a month ago and spent a few weeks with my first few batches of beads perfecting my sanding and buffing techniques using the tumbler.

So why the tumbler? The classic method for sanding cured polymer clay beads is using wet/dry sandpaper of different grits and sanding each bead by hand. To me, this sounded tedious and likely to take some of the enjoyment out of creating beautiful beads. Reading further, I saw that some people were using rock tumblers to sand and/or buff their beads. The wet/dry sandpaper technique can be used in a rotary or vibrating tumbler by cutting up small squares of sandpaper and combining these with your beads and some soapy water in your tumbling chamber. Each grit would take about six hours to tumble.

Another technique I came across was outlined in Desiree's tutorial and involves using river rocks. I got my hands on some river rocks that were quite a bit larger than the ones in the tutorial and, having a strange aversion to putting water in my tumbler, I tried it dry (and yes,I know they're made to take water but...I'm a noob!). Tumbling my first batch for four hours, I was pretty happy with the result after buffing the beads by hand on a piece of calico. But I still wanted to perfect my technique.

I bought some aquarium gravel from BigW next. Then I set about the painstaking process of sorting through the tiny bits of gravel to select the smoothest stones with the least jaggy-bits! At least it gave me something to do, seeing I was web-less ;) I sanded my next batch of beads with the tumbling chamber a little over half full of gravel, for four hours. I then washed the beads, dried them and buffed them with small squares of calico, tumbling for eight hours. Each bead was then hand buffed with a piece of calico for mere seconds to really bring up the shine. Image 1 shows the results, with the tumble-sanded and buffed bead on the left and the unsanded, unbuffed bead on the right.



Since then, I have stuck with this technique for the most part. I have tried varying the amount of time I tumble for and have found that 6-8 hours seems the best. Here are some of the other observations I have made using this technique:
  • There is a fine balance in the number of beads you can sand at once. The guidelines on my tumbler suggest the tumbling chamber should be no more or less than ¾ full. I use a little over half the chamber full of gravel and then fill to ¾ full with beads.
  • Sanding using this method gives your beads a beautiful, polished finish, but it does not remove prominent irregularities or fingerprints. For these, you will still need to sand any problem areas by hand using wet/dry sandpaper before tumbling for the overall smooth.
  • Similarly, the tumbler is not as effective with strange-shaped beads, pendants or beads with protrusions/sharp edges. These will also need to be sanded by hand using the wet/dry sandpaper technique. It has worked well for me for tubular, round, square, bicone, lentil and oval-shaped beads.
I am extremely happy with the lovely smoothness and shiny finish on my beads since I've been using the tumbler for sanding and buffing. I did a lot of reading and trolling through various forums to get to a method that works best for me and my beads, so I wanted to share this with everyone in case you find it works for you too! I finally feel like I've tamed the beast and the method I'm using seems fairly "noob"-proof!

Here are links to some of the sites that helped me along the way:
Desiree takes a very comprehensive look at various sanding and buffing methods in her how-to's - http://desiredcreations.com/howTo_Desk2.htm
On Cindy Lietz's site, there is a lot of info in the comments on this page, if you have the patience to read through them all, people have tried many different things in their tumblers - http://www.beadsandbeading.com/blog/polymer-clay-tutorial-polished-beads-lortone-rock-tumbler/3890/#comment-16235